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World Music: Africa & Middle East


Éditeur : Penguin Books Date & Lieu : 2006, London
Préface : Pages : 675
Traduction : ISBN : 978-1-84353-551-5
Langue : AnglaisFormat : 170x235 mm
Thème : Musique

World Music: Africa & Middle East

THE ROUGH GUIDE to World Music
Africa & Middle East

Since The Rough Guide to World Music first appeared in 1994, the World Music scene has grown dramatically. Vast numbers of CDs are released each month, artists from across the world perform regularly in major concert halls in the “West”, and the BBC has created the annual Awards for World Music (The Planets). In addition, ease of travel makes it feasible for those in Europe and America to go and experience the music of the world, in person, in situ. Now African music enthusiasts don’t just hang out around Sterns record shop in London and listen to Andy Kershaw on the radio – they go to the Essaouira Festival in Morocco, which has become a sort of Gnawa Woodstock attracting 400,000 people each year, or to the celebrated Festival in the Desert near Timbuktu. Music can be a window on and a passport to the world.

This third edition of The Rough Guide to World Music reflects the music’s burgeoning popularity – most obviously in its size. The book has grown to fill three volumes, with this first instalment, Africa & Middle East, to be followed by Europe, Asia & Pacific and The Americas & Caribbean. All in all the guide will be around three times the size of the original edition: close to a million words and in excess of two thousand pages.

Contents

Part 1: Africa
map of countries and styles covered 3

Algeria | Rai 5
rocking the casbah
by Andy Morgan and Chris Nickson
Oran: Where It All Began 6; Chaabi in Algiers 7;
Women, Dock-Workers and Street Urchins 7;
Cheikha Remitti 9; Independence and the Jazz
Age 10; Hick Music Goes Pop 11; Cassette Chebs
13; Khaled, the King of Rai 14; Rachid Taha 16;
Courage Under Fire 16; Rai Today 17
Algeria | Kabylia 22
berber spring
by Andy Morgan and Catherine Elias
Exile and Protest 23; Women on the Verge 24;
Celtic Connections 24; Another Tribe, Another
Mountain 24
Angola 27
unstoppable rhythms
by Bram Posthumus
The Early Years 28; The Shattering of Dreams 29;
Bonga: the Voice of Angola 29; Waldemar Bastos:
the Heart that Spans the World 30; New Styles 31;
Victor Gama 31
Benin & Togo 35
afro-funksters
by François Bensignor
Benin Rockers 36; Traditions 37; Beninois Music
Abroad 37; Angélique Kidjo: Keep On Moving 38;
Music Market Woes 39; Togo 39
Botswana 43
khoisan to pop
by Rampholo Molefhe
Traditional Sounds 44; The Dawn of Popular Music
44; The Modern Era 45
Burkina Faso 47
hidden treasure, hip-hop hopes
by François Bensignor
A Multitude of Traditions 48; Urban Music 49;
Festivals 49
Cameroon 52
the awakening lions
by Jean-Viktor Nkolo, Graeme Ewens and
Alain Marius Mouafo Wemba
Recording Roots 53; Manu Dibango: Cameroon’s
Musical Ambassador 54; Makossa 55; Bikutsi’s
Essential Thrust 55; Cameroon Today 57; Richard
Bona: a Bona Fide Star 58
Cape Verde 62
music of sweet sorrow
by Osvaldo dos Reis, Susana Máximo, David
Peterson and Jon Lusk
The Morna 63; Cesaria Evora: the Barefoot Diva
64; Coladeira 65; Funana 65; Eugénio Tavares 66;
Batuco and Finaçon 67; International Stars 67;
Simentera: Return to Roots 68; Cape Verdeans in
the USA 69; Festivals 69

Congo 74
heart of danceness
by Graeme Ewens
Soukousemantics 75; Rumba Roots 76; The Belle
Époque 77; Francofile 78; Riding the New Wave 79;
Papa Wemba: God Sees All 80; Party Time in Paris
81; Kinshasa in the 1990s 82; New Directions 83;
Ndombolo and Beyond 83
Côte d’Ivoire 91
zouglou to cut’n’run
by François Bensignor, Brooke Wentz and Soro
Solo
Live and Local 92; Ziglibithy 93; Zouglou 93; One-
Way Ticket to the Top 93; Reggae and Rap 94;
Cut‘n’run 95
Equatorial Guinea 99
malabo blues
by Manuel Dominguez
Fang Traditions 100; Pop Styles 100; The Diaspora
101
Eritrea 103
songs of the patriots
by Dawit Mesfin
MaTA 104; Party Time 104; Guayla Royalty 105;
Ambassadors and Icons 105; Love’s Labour’s Lost
106
Ethiopia 108
land of wax and gold
by Francis Falceto
Trad/Mod and the Golden Age 109; Wax and Gold
110; New Styles 111; Live in Addis: Azmaris 111;
Ali Tango 111; The Harp of King David 112; Future
Shock 113; Music Shops in Addis 113
Gabon 117
cranning the night away
by Philip Sweeney
Cults and Traditions 118; Congolese Rumba and
Army Bands 118; Renovation Cha Cha and Zouk
119; Pierre Akendengué: Ethnomusicology as Art
119; Patience Dabany and the Bongo Dynasty 120;
Cranning the Night Away 120
Ghana 123
from highlife to hiplife
by John Collins and Ronnie Graham
Highlife Roots 124; Dance-Band Highlife 124; Palm
Wine Music: Buy the Man a Drink 125; Concerted
Efforts 126; Guitar-Band Highlife 127; E.T. Mensah
127; Osibisa 128; 1970s Afro-Fusions and Back-to-
Roots 128; Economic Collapse and the Highlife
Diaspora 129; Ghanaians Abroad 129; Gospel and
Reggae since the 1980s 130; The Hiplife Boom 131;
Sankofa: Back to the Roots 131; Who’s the Daddy?
131; “Classical” Highlife Survives 133
Guinea 136
move over mali
by Katharina Lobeck
The Kings’ Singers 137; The Futa Jallon 138; Modern
Music Begins 139; The Independence Era
140; Bembeya Jazz 141; Syliphone Records 142;
New Identities: the 1980s and 90s 144; Guinea in
the World 146; Mory Kanté 147; The Music Scene
Diversifies 148
Guinea-Bissau 153
backyard beats of gumbe
by Guus de Klein and Bram Posthumus
Backyard Beats 154; Ethnic Traditions 154; Music
and Independence 155; The 1980s on a Shoestring
156; The 1990s: Survival and War 156; Bidinte 157;
Manecas Costa and the Gumbe 158
Indian Ocean 163
a lightness of touch
by Graeme Ewens, Alain Courbis and Werner
Graebner
The Comoros 164; Mauritius 165; La Réunion 165;
Granmoun Lélé: Pure Dynamite 166; The Seychelles
166
Kenya 171
the life and times of Kenyan pop
by Doug Paterson
Kenya’s Tribal Music 173; The Early Days 174; Finger-
Pickin’ Good 174; Benga Wizards 175; Luhya
Legends 176; Kikuyu: Prayers for the Country 176;
Kamba Calliope 177; Congolese & Swahili: Big-
Name Bands 178; Immigration Department 178;

Wanyika Dynasty 180; Hakuna Matata… 181;
Ndiyo Hiyo Video! 182; New Directions 182
Liberia 188
music from the ashes
by Bram Posthumus
Traditions and Choirs 189; Sweet Liberia: Pre-War
Songs 189; War and Exodus 190; Back on its Feet?
190; One Producer’s Story 191
Libya 193
a cultural crossroads
by Robert Nurden
From Folk to Progressives 194; Politics and Pop
Songs 195; Ma’luf 195; Desert Blues 196
Madagascar 197
a parallel universe
by Ian Anderson
Highland Hitmakers 198; Half-Green and Salegy
199; Traditional Instruments 200; Sounds of the
South 200; Famadihana: Reburial Parties 202;
Malagasy Guitar: a Word With Bouboul 203; Where
to Find Music in Antananarivo 204; Westernization
and Back to Roots 204; Music Under Ravalomanana
206
Malawi 211
sounds afroma!
by John Lwanda
Banjos, Jazz and the Malawi Beat 212; From Kwasa
Kwasa to Nyambo 213; Ethnographer’s Corner
213; Live in Malawi! 214
Mali 219
gold dust by the river
by Lucy Duran
Music for Sundays 220; Sumu and Sandiya 220;
Girl Power, Mali Style 221; Kandia Kouyaté 222;
Mande History 223; Mande’s Hereditary Musicians
223; Jeli Languages and Instruments 224; From
Mali to Mississippi … and Back 225; Regional
Styles and Repertoires 226; Dance Bands and
Cultural Authenticity 227; The Rail Band vs Les
Ambassadeurs 227; Old Music, New Era 228; Salif
Keita: Mali’s Superstar 229; Current Trends 230;
Wassoulou 231; Ali Farka Touré: the Donkey That
Nobody Climbed On 231; Hunters’ Music 232; Birth
of the Kamalengoni 232; Wassoulou Women 233;
Oumou Sangaré: the Songbird 233
Mauritania & Western
Sahara 239
the modes of the moors
by Matthew Lavoie
Moorish Music 240; The Birth of Modern Music
241; Sahrawi Sounds from the Refugee Camps
241; Jakwar 242; The Current Scene 243; Haratin
Music 243; Malouma Mint Meidah and Mauritanian
‘Pop’ 242; Afro-Mauritanians 243; Pulaar Music
244; Sounds of the Soninke 244
Morocco 248
a basic expression of life
by David Muddyman, Andy Morgan and
Matthew Lavoie
Berber Music 249; Festivals in Morocco 250; Rwaïs
251; Andalous Music 251; The Nuba 251; Milhûn
252; Gharnati 253; Moussem Madness 253; Sufi
and Gnawa Music 254; Gnawa 254; Chaabi and
Fusion 254; Al’aïta 255; Roots-Fusion 255; From
Egypt to Morocco … and Back 255; Najat Aatabou
256; Berber Power 257; International Fusion 257;
Moroccan Cassettes 258; Rai, Rap and Rock 259;
Sephardic Music 259
Mozambique 265
a musica continua
by Celso Paco and Tom Bullough
Coastal Music: Timbila 267; Marrabenta Pulse 267;
Dilon Djindji: King of Marrabenta 268; Jazz-Fusion
269; Sounds Today 269; The Musical Diaspora 271
Namibia 275
little brother struggle
by Minette Mans
‘Patches’ of Practice 276; Imported Sounds 277;
Looking for a Revolution 278; Festivals 278
Niger & Touareg 280
sounds of the sahel
by François Bensignor
A Map of Niger 281; Cultural Policy 281; Touareg
Rockers and Desert Blues 282; Hopping Youth
Clubs 283

Nigeria 287
africa’s stumbling giant
by Andrew Frankel
Nigerian Uniqueness 288; Nigerian Peoples 288;
Instruments 289; Juju 290; Nigeria’s Record Industry
291; Highlife Nigeria Style 292; Traditional Pop
and Apala 293; Fuji Fever 294; Waka 295; Fela Kuti
and Afro-beat 295; From Kalakuta to Kakadu:
Shanties, Shrines and Nite-spots 296; Praise Singing
the Big Boss 297; Nigeria Abroad 298; Reggae,
Hip-hop, Rap and Beyond 299; In a Suburb Near
You… 300; Future Grooves 300
Pygmy Music 304
forest songs from the congo basin
by Dave Abram and Jerome Lewis
Pygmy Polyphony 306; Music in Forest Life 307;
Listening to the Forest 307; Beyond the Forest
308; Pygmy Fusion 308; The Baka Music House
309; Survival 310
Rwanda & Burundi 313
echoes from the hills
by Dorian Hayes and Karengera Eric Soul
Traditional Music 314; The Drummers of Burundi
and Ballet Inganzo 315; Cécile Kayirebwa and the
Rwandan Diaspora 316; Contemporary Music in
Rwanda 317; New Music in Burundi 318
São Tomé & Príncipe 321
island music of central africa
by Caroline Shaw and Emile Chabal
Rhythms and Dance 322; Modern Music 323
Senegal & The
Gambia 326
a tale of two countries
by Mark Hudson, Doudou Sarr, Paul Hayward
and Lucy Duran
Mande Senegambia 327; Wolof Traditions and
Negritude 327; Dance Music: the 1960s and Star
Band 328; Gambian Traditions and Developments
328; Orchestra Baobab: Still Growing 330; Dakar
Superstar: the Rise of Youssou N’Dour 331; Jazz,
Funk and the Faye Brothers 331; The Ups and
Downs of Youssou N’Dour 332; Seck and Lô 333;
The Man from the North: Baaba Maal 334; Baaba
Maal 335; A World Apart: Casamance Hothouse
336; Female Performers 336; Rap and New Directions
336; Sene-Rap 339
Sierra Leone 345
from palm wine to protest
by Bram Posthumus, Ed Ashcroft and Richard
Trillo
Palm wine and Milo 346; A Brief Golden Era 347;
Exile and Revival 347
South Africa | Popular
Music 351
nation of the voice
by Rob Allingham and Gregory Mthembu-
Salter
Deep Roots 352; The West, Urbanization, Marabi
and Jive 353; A Music Industry 353; The Producers
354; Pennywhistle Jive: the Kwela Boom 355; From
Sax Jive to Vocal Mbaqanga 356; Zulu Acapella:
Mbube and Iscathamiya 358; Ladysmith Black
Mambazo 359; Neo-Traditional Styles 360; Sotho
and Pedi-Traditional 360; Zulu-Traditional 360;
Shangaan/Tsonga-Traditional 361; Local Soul 362;
White South African Music 363; Bubblegum 364;
Brenda Fassie – Africa’s Pop Goddess 365; Kwaito
Kulture 366; The Divas 367; Urban Roots 368; Cape
Hop 369; Reggae 370
South Africa | Jazz 377
hip kings, hip queens
by Rob Allingham and Gwen Ansell
Swing 378; The Jazz Singers 379; Progressive Jazz:
the 1960s 379; Mama Africa 380; Still Grazin’: Hugh
Masekela 381; Meanwhile, Back Home… 382; …
And Today? 383; Zim Ngqawana 384
South Africa | Gospel 389
I've got the power
by Gregory Mthembu-Salter
Star Voices 390; Live Witness 391
Southern Africa |
Archives 393
hugh tracey: pioneer archivist
by Mark Hudson
Looking Back 394

Sudan 397
still yearning to dance
by Peter Verney, Helen Jerome and Moawia
Yassin
The North 398; Early Days and Jazz 398; Players and
Poets 399; Women Singers 401; Southern Sudan
402; Southern Survivals 402; The Nuba 402; Where
Next? 403; Dance & Trance: Sufi Dervishes 403
Tanzania & Kenya |
Taarab 408
the swahili coastal sound
by Werner Graebner
Taarab Roots 409; Ikhwani Safaa Musical Club 410;
Lamu and Mombasa 411; Zanzibar Culture Club 412;
Modern Taarab 413; The “Little Granny” of Zanzibar
413; Tanga: Black Star 414; Dar es Salaam 414
Tanzania | Popular
Music 418
the land of use-your-brain
by Werner Graebner
Muziki Wa Dansi 419; The Morogoro Jazz Band
419; No Sweat from Congo: Maquis and Matimila
422; Hotel Pop 423; Bongo Flava 423; Tradition &
Innovation 424; Mchiriku Madness 425; Jagwa Jive
425; Reggae and Ragga 426
Uganda 430
strong roots and new shoots
by Andy Cooke and Sten Sandahl
The Kampala Scene 431; Kadongo Kamu 431; Traditional
Music 431; Royal Court Music 431; Village
Music 432
Zambia 436
evolution and expression
by Ronnie Graham, Simon Kandela Tunkanya
and Kennedy Gondwe
From Independence to Zam-rock 437; Kalindula
Arrives 438; Emmanuel Jaggari Chanda 438; Zambian
Music in the 1990s 440; Tribal Music, Dance
and Instruments 440; Mondo and the Re-emerging
Music Industry 441; The 21st Century 441
Zimbabwe 444
mbira, sungura and chimurenga: play
it loud!
by Banning Eyre and Tom Bullough
Tough Times 445; Beerhalls and Biras 446; The
Mbira 446; Mapfumo: Chimurenga Man for All
Seasons 447; Tuku Music 449; Oliver Mtukudzi 450;
Jit Hits the Fans 451; Rumba-Sungura 452; Praise
the Lord and Pass the Sadza 453; Ndebele Pop: the
Bulawayo Sound 453; New Directions 455

Part 2: Middle East
map of countries and styles covered 461

Arab World/Egypt |
Classical 463
music, partner of poetry
by David Lodge, Bill Badley and Neil van der
Linden
Classical Arab Music 464; Shared Roots 464;
Koranic Recitation: the Basis of Islamic Music 465;
Theory, Scales & Rhythm in Classical Arab Music
466; Emerging Traditions in the Twentieth Century
466; Superstars of Cairo 468; Sayed Darwîsh 468;
Farid el-Atrache and Asmahan 468; Umm Kulthum
469; Umm Kulthum’s Composers 470; Mohammed
Abdel Wahab 470; Leyla Murad 470; Abdalhalim
Hafez 471; Warda al-Jaza’iriya 471; Festival of Arabic
Music 471
Arabesque 475
oriental fusion
by Phil Meadley
The West Looks East 476; The French Connection
476; Back to Morocco 477; The London Equation
477; Arabesque Moderne 477; The Istanbul
Express 478

Armenia 481
the singing apricot tree
by Simon Broughton
Religious Music 482; The Massacres and the
Diaspora 482; Folk Music 483; Ashoughs 484; Classical
Music, Cabaret and Pop 484; Djivan Gasparyan
and the Duduk 485
Azerbaijan 489
in the mugham
by Razia Sultanova and Simon Broughton
Meyxana: Wedding Rap 490; The Aşiq Bard Tradition
490; Mugham 491; Alim Qasimov 491;
Mugham on the Move 492
Egypt | Popular/Street
Music 495
satellites of love
by Reda el Mawi, Sam Farah, David Lodge and
Bill Badley
Sufi Music and Trance 496; Rural Folk Music: the
Nile, the Desert and the Copts 497; New Nubian,
Old Nubian 498; Bride and Home 498; Music of
the Youth 499; Shaabi: Art from the Workers 499;
Shababi 500; Shaabi Superstars 501; New Media,
New Values 502
Georgia 505
a musical toast
by Simon Broughton
Table Songs 506; Polyphony 506; Professional
Choirs 507; Booking a Band Georgian-Style 507;
Urban Songs 508
The Gulf 510
khaleeji comeback
by Bill Badley
Saudi Arabia 511; Bahrain 512; United Arab Emirates
512; Qatar 513; Kuwait 513; Yemen 513; Oman 515
Iran 519
the art of ornament
by Laudan Nooshin and Simon Broughton
Classical Iranian Instruments 520; Classical Music
520; From Courts to Cassettes 521; Post-Revolutionary
Revival 521; Mohammad Reza Shajarian
522; Modes and Improvisation 522; Listening to
Classical Music 523; Folk Music 524; The Bakshi of
Khorasan 524; Kurdish Tanbur Players 524; Other
Regional Highlights 525; Iranian Pop 525; Kayhan
Kalhor 526; Pop Artists 526
Iraq 533
mesopotamia forever
by Neil van der Linden
Maqam 534; Baghdad’s Roaring Fifties 535; The
Assyrians 535; Rural Sounds 535; Jewish Musicians
in Iraq 535; The Great Iraqi Oud Tradition
536; Popular Music 536
Israel 539
narrow bridge/global village
by Dubi Lenz
Songs of the Good Old Land 540; Yemenite Songs
540; Chava Alberstein: Shadow of Israel 541; Roots
and Fusions 542; Yair Dalal: Israeli Oud 543
Jewish Music | Sephardic
551
ladino romance
by Judith Cohen and Hilary Pomeroy
Origins and Evolution 552; Key Figures 552; The
Levy Legacy 553; Spaniards and Fusions 554; Song
Preservation 555
Jordan & Bedouin Music
559
camel steps and epics of the sheikhs
by Bill Badley
Music of Movement 560; Bedouin Instruments
561
Kurdish Music 563
songs of the stateless
by Eva Skalla and Parwez Zabihi
Bards, Minstrels and Songs 564; Instruments and
Rhythm 564; Partition States 565; Kurdistan of Turkey
565; Federal Kurdistan of Iraq 566; Kurdistan
of Iran 567; Syrian and Armenian Kurdistan 567;
The Diaspora 567; The Kamkars 568
Lebanon 572
the rising star in the middle east
by Bill Badley
Diverse Cultures, Diverse Styles 573; Doing the

Dabke 574; Fairuz and the Rahbanis 574; Female
Stars 575; Male Pop Singers 575; Sacred Sounds
576; The Diaspora 576
Palestinian Music 580
sounds for a new state
by Andy Morgan, Mu’tasem Adileh and Bill
Badley
Rural Songs: Dabke and Qawaali 581; Songs of
Partition 581; The Intifada 582; Beginnings of a
State 583; El Funoun – Palestinian Art-Music 584;
New Opportunities 585
Syria 589
sufis and superstars
by Roger Short
Silk Roots 590; The Sultan of Tarab 590; Superdivas
591; Abdullah Chhadeh, the Qanun and the
Hookah 591; Sufi Nights 592; Country Music, Syrian-
style 592
Turkey 595
sounds of anatolia
by Martin Stokes and Francesco Martinelli
Turkish Folk 596; Saz Music and the TRT Sound
596; Regional Folk 597; Așık Music 597; Classical
Traditions 598; Classical Fasil and Later Developments
599; Classical Stars 600; The Whirling Dervishes
and Sufi Music 601; Dede’s Dervish 602;
Gypsies and Fasıl Music 602; Western-style Art
Music 603; Minority Musics 603; Kurdish Music
603; Greek–Turkish Music 604; Jewish Traditions
604; Arabesk 604; Oriental Roots 604; Arabesk
Goes Big-Time 605; Pop and Anatolian Rock 606;

 

 

Since The Rough Guide to World Music first appeared in 1994, the World Music scene has grown dramatically. Vast numbers of CDs are released each month, artists from across the world perform regularly in major concert halls in the “West”, and the BBC has created the annual Awards for World Music (The Planets). In addition, ease of travel makes it feasible for those in Europe and America to go and experience the music of the world, in person, in situ. Now African music enthusiasts don’t just hang out around Sterns record shop in London and listen to Andy Kershaw on the radio – they go to the Essaouira Festival in Morocco, which has become a sort of Gnawa Woodstock attracting 400,000 people each year, or to the celebrated Festival in the Desert near Timbuktu. Music can be a window on and a passport to the world. This third edition of The Rough Guide to

World Music reflects the music’s burgeoning popularity – most obviously in its size. The book has grown to fill three volumes, with this first instalment, Africa & Middle East, to be followed by Europe, Asia & Pacific and The Americas & Caribbean. All in allthe guide will be around three times the size of the original edition: close to a million words and in excess of two thousand pages. But then the Rough Guide has earned the tag of being the ‘World Music Bible’. We have strived in this new edition to chart the changing scene, including coverage, for instance, of African hip-hop, which has swept across the continent in recent years and is the music of choice for young Africans, often in genuinely local forms.

Also represented are the club and DJ scenes, which have been energized by global sounds, with dynamic fusions based on everything from Afro-beat to Sufi music. We have also addressed omissions in the last edition, with brand new chapters on Botswana, Namibia, Liberia, Libya, Lebanon and Iraq – as well as musical styles that have become particularly dynamic in the last few years, such as Touareg music and Arabesque. In this volume, our (impossible) aim is to cover African and Middle Eastern music of every style – popular and classical, religious and secular, new and traditional. It’s music you can buy on CD, see at festivals and concerts, and hear in villages, in clubs, at celebrations and on the radio around the world. The book attempts to represent all of these contexts, with nods to key venues, festivals, producers and record labels as well as singers and instrumentalists. How the Book Works This first volume of The Rough Guide to World Music is divided into two sections : Africa and the Middle East. Within each section the chapters are arranged alphabetically by country or sometimes by ethnic group – for instance with Kurdish, Sephardic or Pygmy music. There are running heads and an index to help you find your way. Each chapter consists of an article, discography and playlist. The articles are designed to provide the background to each country’s musical styles, explaining the history, social background, politics and cultural identity, as well as highlighting the lives and sounds of each country’s musicians. The discographies begin with reviews of compilation CDs and then move on to individual artists, each of whom gets a brief biography and recommended recordings. Please note these are selective and not comprehensive discographies, which we hope will lead you into an artist’s best work....

Credits
In-house editors: Duncan Clark, Peter Buckley,
Matthew Milton, Joe Staines, Ruth Tidball, Tracy Hopkins
Layout: Duncan Clark, Peter Buckley, Dan May
Picture research: Mark Ellingham
Proofreading: Jennifer Speake
Production: Aimee Hampson, Katherine Owers
Reference Director: Andrew Lockett
Publishing Information
This third edition published September 2006 by
Rough Guides Ltd, 80 Strand, London WC2R 0RL
345 Hudson St, 4th Floor, New York 10014, USA
Email: mail@roughguides.com
Distributed by the Penguin Group:
Penguin Books Ltd, 80 Strand, London WC2R 0RL
Penguin Putnam, Inc., 375 Hudson Street, NY 10014, USA
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia
Penguin Books Canada Ltd, 90 Eglinton Avenue East, Toronto, Ontario, Canada M4P 2YE
Penguin Group (New Zealand), 67 Apollo Drive, Mairongi Bay, Auckland 1310, New Zealand
Printed in Italy by LegoPrint S.p.A
Typeset in Minion and Myriad to an original design by Duncan Clark
The publishers and authors have done their best to ensure the accuracy and currency of all information in The
Rough Guide to World Music; however, they can accept no responsibility for any loss or inconvenience sustained by
any reader as a result of its information or advice.
No part of this book may be reproduced in any form without permission from the publisher except for the
quotation of brief passages in reviews.
© Rough Guides Ltd
672 pages; includes index
A catalogue record for this book is available from the British Library
ISBN 13: 978-1-84353-551-5
ISBN 10: 1-843-53551-3
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